REDUCED5 at Tempus Projects
These introductory comments are surprisingly hard to write. Some weeks I honestly have very little to say before moving on to the recommendations. It must be a lot like writing the monologue every week at SNL. But with a much smaller audience. Actually, it’s probably nothing like that. Anyhow, on to the art.
Tempus Projects – REDUCED5
Opening reception – Fri 9/14 7:30pm – 10pm
Tempus Projects officially begins it 2012-13 season this Friday night. REDUCED5 is the fifth incarnation of a multimedia juried exhibit. Artists generally limit their palette to black and white, and the price tag to $500 or less. Kurt Piazza, the guest juror, also created REDUCED while with the Gulf Coast Museum of Art.
Lately, some of the most exciting art nationally has been relatively sparse in color. The recent trend of expression in understatement is especially welcome. I trust Piazza’s taste and anticipate at least a few exceptional pieces that illustrate this tendency. Also, the potential for especially good art at a price the 99% of us can afford makes REDUCED5 worth a visit tonight.
Becky Flanders, Vince Kral, and Ryann Slauson are just some of the artists that will be exhibiting.
Tampa Museum of Art – Art on the House
Fri 9/14 4pm – 8pm
This is the last week to catch two of TMoA‘s exhibits: A Hundred Years – A Hundred Chairs and Art of the Poison Pens.
I’m not particularly attracted to design exhibits. I guess it’s a character deficiency I’ve made peace with. A Hundred Chairs, though, was surprisingly interesting and relevant. The exhibit effectively highlight the cultural subtext of design, the sociopolitical implications of chairs. It sounds like art-speak, but how chairs are made, who makes them, and what they’re made from says a lot about the society sitting in them. The exhibit, on loan from the Vitra Design Museum, expressed this well and kept me engrossed overall.
Art of the Poison Pens, however, I did not get a chance to see. I cannot fairly mete out judgement on this exhibit. I will say I was reluctant to make the trip downtown – the show seemed to be curated for maximal non-statement. I suppose political art that makes a statement exclusively on irrelevant issues seems like a win-win exhibit for the RNC. Suffice it to say, though, that if you visit the exhibit tonight between 4pm – 8pm you won’t have to spend your money on it.
Box on 5th – Box:3
Opening reception – Sat 9/15 7:30pm – 10pm
Anthony Record, Prayin’, Acrylic on canvas, 16 x 20 in., 2012
Ybor’s newest and most exciting space will be hosting its third opening reception this Saturday. If the pattern continues into this newest opening, you’re likely to find the entire Tampa Art scene squeezed into this great little space. The three person exhibit will be featuring the work of George Anderton, Zesch Fallon, and Anthony Record.
While Fallon’s work tends toward the starkly minimal, Anderton and Record work playfully in the gap between representation and abstraction. All three artists toy with our idea of images rather than actually provide any readily recognizable ones. Though all three artists work under disparate styles, they each work within and around abstraction effectively. This is saying something. To my general annoyance, abstract art is perhaps the style most severely abused by bad art. Saturday’s exhibit is primed to be an exercise in taking that style forward.