Four Art Books: Tampa Connections

We love art books, but we love them even more if they are written by/feature fellow Tampanians. Following Tampa Museum of Art’s big opening of Graphicstudio’s Uncommon Practice at USF exhibition (a show that was directly inspired by Tampa curator Jade Dellinger’s book about USF’s Graphicstudio), we decided that it would be interesting and inspiring to do a little research and find some more books that feature local art ‘celebrities’.

Here is a small but impressive list:

imageThe Next Thing: Art in the Twenty-First Century 

Pablo Baler

Fairliegh Dickinson

USF’S College of Art and Art History Assistant Professor Cesar Cornejo, was featured in The Next Thing: Art in the Twenty-First Century. Cornejo’s multidisciplinary installations and conceptual developments were complimented by philosophical and theoretical essays that attempt to ” anticipate the aesthetic mood” of the 21st century. The book,  predominantly written by Latin American artists, lecturers and thinkers about art, creates interesting conglomerations and curations of ideas and contemporary art works that provide a distinctive insight about the future of artistic thought and practice in the digital age.

Tim Fitts 46-45 Verandering

Tim Fitts: 46-45 Verandering

Tim Fitts

Tim Fitts/University of the Arts

The graphic art book 46-45 Verandering, created by USF Alumni and senior lecturer at The University of the Arts Tim Fitts, contains images of objects, textures, structural icons and screen-print designs that belong to the fruitful results of  Commotion neighborhoods,  a series of art-related community activities enacted within Philadelphia’s projects. The images, taken and arranged by Fitts, are representative of the history of this successful community project as well as stories that were shared by community participants during workshops held at the Zion Hill Memorial Baptist Church and the William A. Barrett Nabuurs Center.

fundamentals of interactive designThe Fundamentals of Interactive Design

Michael Salmond and Gavin Ambrose

Fairchild Books

Michael Salmond, a USF MFA alumni, co-writes The Fundamentals of Interactive Design, a book that introduces the essentials of digital design and its top practices. The book is aimed at designers who have never worked within the interactive medium as well as those who have some digital knowledge but are looking for application across a wider spectrum of media. Salmond and Ambrose make their best efforts to provides a core skill-set and an invaluable insight into the world of interactive design.

9781907804359_p0_v2_s260x420

Graphicstudio: Uncommon Practice at USF

Jade Dellinger

GILES

Jade Dellinger, an independent curator living and working in Tampa, authors Graphicstudio: Uncommon Practice at USF.  Dellinger, a key player within some of our most  beloved local art institutions  (Tempus Projects, TMA, and USF’S CAM) presents a beautiful, colorful and informational book that serves as an expansive ‘catalogue’ of GS’s  most notable artworks. The  expansive volume highlights over one hundred works of art by more than forty prominent Graphicstudio artists, including Louise Bourgeois, Jim Dine, Alex Katz, Christian Marclay, Vik Muniz and Theo Wujcik. It also features interviews with current and past Graphicstudio directors as well as reflections on experiences while working with some of the most influential artistis of the 20th and 21st century.  Consequently, today, February 1st, 2014,  is the opening day of Tampa Museum of Art’s Graphicstudio: An Uncommon Practice at USF ,a show that compliments Jade’s book. Dellinger, together with USF’s CAM and the TMA, highlights both technical and conceptual breakthroughs of Graphicstudio’s repertoire through displaying pieces that showcase some of the most celebrated artists of our time( Robert Rauschenberg, Jim Rosenquist, Ed Ruscha, Allan McCollum, Louise Bourgeois, Jim Dine, and others).

The show will be on view at TMA until May 18th, 2014.

If you are interested in purchasing a book, you can now pre-order them at Amazon through here.

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